[Architecture] manipulate[s] the eye
to create suspense [where] design
should mesh with humanity's uniqueness, not the other way round. Dramatic curves [created through] composite
manufacturing function [to] tell the body to approach, climb, explore, “so you have a
craving to see the statue—and then you see her.”. She subvert[s] the way you [think] about Architecture, creat[ing] living quarters that were unique rather than embracing style. Like a living map, designers create these increasingly intricate
facades, which were both useful but
stood out for their bizarrity, [to] push the boundaries of engineering. Curved,
man-made landscape[s], follow the idea [that] architecture should be [dynamic], rolling out in front of
you, like a living map.
http://www.newyorker.com/magazine/2016/05/16/adriaan-geuzes-governors-island
http://www.arthistoryarchive.com/arthistory/antidesign/
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